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Station 1, the casting bay: one fixed line card, held to spec across a whole run. Standard frames at 6 credits, premium kept for covers.
Standard text-to-image: 6 credits per image — and your daily check-in hands you 6 credits free, so today’s first frame can cost nothing. Every job shows its exact cost before you confirm it.
Pick an effect, upload your photo, and the built-in recipe does the rest. Same photo, far more reliable results.
You have been writing prompts by hand. Templates skip all of that — pick a card below, upload your photo, and get the same scene in one click.
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Every run in this hall starts at the same station: a fictional adult woman, specified once and specified properly. The standard model turns out a tall 832×1248 frame for 6 credits; the premium model, at 41 credits, is reserved for the frames that will head a pack or carry a profile. Between those two gauges sits the whole discipline of the casting bay, and it is a paperwork discipline: her specification is her line card, and a line card is never rewritten from memory halfway down the line.
Write the line card in five fixed lines, always in the same order: her age as a plain number, 30 or over by hall habit; her hair — colour, length and one habitual style; her build in two or three words; one or two enduring facial details; and a signature — the small scar, the cuff in her braid, the mark that identifies her even in a tight crop. Paste that card, word for word, at the head of every brief. Under it, one changing line carries what varies: the outfit, the bay, the hour, the light. Hold the card steady and each new frame can be gauged honestly against the last; let it drift and no station further down the line will machine her back into spec.
Concrete lines survive the run. “Dark espresso-brown hair in a sleek low side braid with a brushed-steel cuff” casts the same woman every time; “glorious hair” is a mood, and moods are re-machined at every job.
Run a set in one bay under one light, then change a single variable. A series is assembled from deliberate single changes, not from re-rolling a brief and hoping she holds spec.
Cast generously at the standard gauge, then inspect hard against the line card. Edits, swaps and upscales are finishing costs — spend them only on frames that earned their place on the line.
Brief seven frames of one character in a single session, and the feed never waits on the line mid-week.
The frame at the head of a pack, machined to the same spec as the run inside it.
Stills composed with room to move — space around the subject, a direction left open — ready for Station 2.
“Fictional 36-year-old woman, dark espresso-brown hair in a sleek low side braid fastened with a brushed-steel hair cuff, warm tan skin, tall strong-shouldered build, a small crescent scar on her right jawline; rust-orange velvet-and-lace bodysuit with a sheer charcoal cover-up slipped off one shoulder, standing on a cream-walled machine hall gallery floor beside a tall arched factory window, warm sunset light across the floor, editorial photograph.”
Everything before the semicolon is the line card — it never changes. The line after it is the only new variable in this run.
“Fictional 36-year-old woman, dark espresso-brown hair in a sleek low side braid fastened with a brushed-steel hair cuff, warm tan skin, tall strong-shouldered build, a small crescent scar on her right jawline; the same rust-orange bodysuit, standing against a plain cream studio wall, one shaft of evening light from the left, editorial photograph.”
A bare wall is the honest gauge of a line card. If she is still herself against nothing, the card is true and the run can be trusted.
| Setting | Standard model | Premium model |
|---|---|---|
| Cost | 6 credits | 41 credits |
| Kept for | Series work, daily frames, volume runs | Covers, hero frames, the one image everyone sees first |
| Method | Cast many, keep few | Brief slowly, cast few |
| Symptom | Cause | Correction |
|---|---|---|
| The character changes between frames | The line card was rewritten from memory | Paste the same card every time; vary only the line below it |
| The frame feels crowded and unsettled | Too many objects and actions in one brief | One bay, one action, one light source per frame |
| Hands and small parts break | Hands asked to hold fine detail | Rest the hands, or crop the frame at the waist |
Yes. Registration is free, and the daily check-in gives you 6 credits — exactly the cost of one standard frame. That is one frame off the line every day, for as long as you keep checking in. Credit packs are there for the shifts when the workload runs longer.
A standard frame costs 6 credits, shown before you confirm the job. The premium model costs 41 credits and is best kept for covers and hero frames rather than daily series work.
Write her line card once — age, hair, build, face, signature — and paste it unchanged at the top of every brief. Change only the outfit, the setting and the light in the line below it, and gauge each result against the card.
No. Frames wait private in your account. Only what you deliberately publish appears in the gallery, and unpublishing takes effect immediately.
A tall 832×1248 portrait frame, ready for feeds and stores. When a destination asks for more, the image upscaler at the finishing line is the last stop.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
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